Having personally struggled with several eating disorders, I made these infographics in 2021 to highlight the bidirectional oral health implications of eating disorders and highlight ways for dental professionals to help. These infographics were featured on Harvard ASDA's official Instagram Page.
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- College Reflections | Bree Zhang
Reflection 1 Reflection 2 Reflection 3 Reflection 4 Reflection 5 College Reflections I used to think Brown was a poopy💩 color, but you can only create that color by combining all colors of the rainbow. Brown has been my canvas. Each semester has been a wandering collection of dissonances and consonances. Read my 5 Main Takeaways Below: #1 The Best Teachers Are Bandages, and the Best Bandages Come From Our Friends. College can be a journey of figuring out how to patch myself up from falls and scrapes but oftentimes not even knowing where these scrapes and cuts are. Throughout college, I struggled with a combination of anorexia, bulimia, and binge eating disorder, which triggered depressive episodes after binges and manic episodes when I starved myself in punishment. There were moments when I felt invincible and so productive so no sleep and keep going because your creative juices are flowing and no--you can't stop--you can't sleep anyway--stomach empty--you're so light you could fly away-- Then, moments when I struggled to get out of bed and do basic things like wash my face. Moments when I didn’t want to wake up from sleep. Moments when I hated myself so much and felt so useless for hating myself and not being able to do the simplest daily things, then hating myself all over again and thinking I did not deserve people’s admiration. The scary thing about falling is that it’s sometimes not the injury that hurts the most but the painstaking process of trying to get to your original pace. There’s an insidious voice that keeps comparing yourself to your best version and reminds you’re so much slower and wobbly and graceless. But the beautiful thing about falling is that the journey of crawling up teaches you so much. It’s taught me that friends and loved ones have always been my best bandages. They give me shoulders to cry on and hands to hold when I don’t feel grounded. They remind me that I’m still Bree. Sometimes, learning how to be vulnerable means allowing your friends and loved ones to see you under a spotlight when you haven’t put on your protective skin, so you feel flayed and disgusting and ashamed because this version of you will always exist in their memory. But sometimes, learning to be vulnerable means that you have hands that can put bandages in places you can’t easily see or reach. And unlike your bandages, these bandages come without self-contempt and are so purely filled with love and care that you start to feel like everything’s going to be okay. Because it will be <3 Reflection 2 #2 Inspiration is everywhere in the community, and everyone has a Mary Poppins Bag. I believe that I am a collection of the wisdom of each person I’ve met at Brown. As they say, the beauty of the Open Curriculum is that no two people are taking the exact same track of courses, meaning that there is less room for competition/comparison and more room for vicarious learning, exploration, and super cool conversations. I don’t need to take 20 classes to obtain knowledge from 20 classes. By talking with peers, I get “TLDR” glimpses of the most thought-provoking topics in way more classes, and we exchange these glimpses across our real world reflections. If what people are studying is cool, what they are doing is even cooler. Everyone I know seems to carry around a Mary Poppins bag: a bottomless pit of talents and accomplishments that they usually keep humbly hidden but pull out on special occasions, ceaselessly surprising me. Like just when I thought this person couldn’t be cooler as a STEM icon, but wait—they also won an award for their cutting-edge research—but wait—they’re also a kickass dancer—but wait—and they’re also involved in acapella and have a voice of gold? In fact, my admiration for my peers solidified even more after seeing everyone's senior theses, capstones, and extracurricular final projects. The spark in someone’s eyes is most beautiful when they talk about something they love, something to which they’ve devoted so much time, tears, and energy. The reason I am the way I am is because of this Brown community: they’re always inventing, deconstructing, designing, collecting, fighting, advocating, teaching, learning, providing—-and inspiring me to do better. #3 It’s never too late to start a hobby, or to revisit one that you’ve tucked away. Success is not always accomplishing something but enacting an intention to start something . As someone who has always been a checklist person who likes the feeling of "finishing" things I'm good at, I really had to learn how to reframe my mindset throughout college. I'm happy to say I finally got really comfortable with this by my last semester at Brown, where I was welcomed into the frisbee, ballroom dancing, and ice skating communities. Feeling "comfortable" in unknown spaces cannot happen without empowering and nurturing people. Ballroom dancing was completely new to me. Even when I started out as one of the worst dancers, these people gave me a home and never judged me, only uplifted me. Frisbee and ice skating were sports I’d tried as a first-year (but then stopped for 3 years due to time commitment). The fact that I felt welcomed so warmly despite my hiatus showed me that it’s okay to step back from things, to leave for a few years, and it’s okay to join again when you’re ready. When time is ticking, it’s easy to get caught up in the end. I only had 2-3 months to enjoy these communities before graduation. While sometimes I lamented how I should’ve joined/re-joined these sports earlier, the experience taught me how to savor each moment because it’s happening (and not because it’s disappearing), to be comfortable with not knowing things and asking for help—because help is always there. Three of my most exciting moments were when I did the Bronzie Cha Cha group number at the Phoenix Ball, when I performed a solo at Brown Figure Skating Club’s Annual Ice Skating Show, and when I played in my first Frisbee Scrimmage with another college team. I am proud of these moments not because I was the best performer/player (in fact, in ice skating, I was the worst) but because I went out and tried my best. Reflection 3 #4 No battle plan survives the first contact with the enemy, so learn to have fun while the plan fails. Lots of us are perfectionists who try to avoid perfectionism but unwittingly stray towards perfectionism if left unchecked. Perfectionism is what makes us good at what we do because we hold ourselves to high expectations. However, it also makes us stressed out, especially if the work is not what we expect. This is why my involvement in CCB (Class Coordinating Board) was such an amazing learning experience for me because no matter how much you try to perfect your "battle plan," unexpected problems arise. Perhaps the weather is freezing, and the crock pot you need to melt the caramel (for caramel covered apples) doesn’t heat up, so someone on your board needs to run to the Blue Room with a tub of Boiling hot water to get the caramel to melt. Perhaps there’s glitches with a platform you’re using, and you embarrassingly have to send out a classwide email again apologizing for good-old “technical difficulties.” Perhaps delivery costs increase. The power fails. A few staffers get sick. A vendor backs out. Equipment doesn’t work. The question isn’t a matter of “if” but “when” and “what” will go wrong—whether it’s a mistake you made or an uncontrollable external factor. So an important lesson CCB taught me (and something I’m still striving towards) is how to adapt, go with the flow, laugh and bond over our failed battle plans, and accept that no one is going to ever be completely satisfied with your event, or you—and that’s okay. After all, the enemy of a “battle plan” is just life, and life will always give you unexpected lemons and things to be salty over. But if you stop seeing life as an enemy, you can slice up the lemons, gather some salt, and have fun taking tequila shots. Reflection 4 #5 Don’t wait until you’re leaving to start making a bucket list. 4 years feels so short. So very very short. Sometimes, I wonder “If COVID-19 hadn’t happened, would I have had a better college experience?” Reasonably, a voice in my head says: “Yes, of course. You lost almost 2 years of college. You struggled during the virtual semesters without much social contact. You saw lives disappear in the blink of an eye, neighbors, family acquaintances, more.” But I also see another side to COVID-19. COVID-19 made me who I am in college. I learned how to be alone. I learned to navigate challenges and tensions with my family that emerged from the pandemic and politics. I learned to appreciate the moments I have with my loved ones. To never take anything for granted because even the most stable rocks can be shattered in an instant: a relationship, a friendship, an experience, an education. It’s the same with college. When I came back to in-person school my senior year, I made a Senior Bucket List, and I wrapped myself in a craze to complete all the items. But then it hit me. Why is it that we only make a real bucket list when we’re about to leave somewhere? Aren’t the experiences listed in our bucket list things we have always wanted to do? Why can't we cherish these experiences sooner? How many times did I really explore downtown Providence? How many cuisines on college hill did I really try? How many challenges did I really complete? How many moments with friends did I pass up because I wanted to focus on studying? We often don’t realize how much we appreciate something until it slips from our fingertips. Don’t get me wrong: I’m not saying “hold on tighter so it doesn’t slip.” We all have to let things slip away to move on—after all, our hands can only hold so much—but we should be more intentional while these experiences are around and easily graspable. This way, we’re not simply just letting retrospection paint an experience in a positive light. We’re actually existing in that experience—appreciating it even if we can’t see the beauty yet. Reflection 5 Senior Year Bucket List Green are completed items. Red are uncompleted items. Dance on pole Get on rooftop Participate in Jazz jams RISD Wintersesssion Polar Plunge with BOC Visit Newport Visit Block Island Witness Naked Donut Run Try an edible (make art while high) Visit RISD Museum Make at least 10 Brunoscapes Hammock somewhere on campus Get back into Ice skating Hiking somewhere NOT in Providence Attend a Gendo Taiko Workshop Join Frisbee again! Attend a Nelson fitness class (cardio core, body combat, 305 dance) Study in GCB (with laptops out) Join Ballroom dancing Ratty challenge Go to all you can eat hotpot with CSA Go to Beach SciLi challenge Go Rock Climbing Watch Dance Shows Mezcla Fusion Impulse Daebak SKINNY DIPPING Do something weird for Senior Talent Show Watch theatre productions RENT Sweeney Todd Company Louis challenge Sleep on 10+ locations on campus Watson Leung Andrews dining Emwool lounge Faunce fishbowl Sears Lounge Metcalf third floor Friedman Main Green Scili Scavenger HUnt Friend group senior Boston trip Drink wine in 10+ major buildings on campus. Faunce Rock The Hay Sayles Salomon University Hall Macmillan Sears Ratty Friedman Vdub Andrews Thesissssssss Watch Waterfire Sell prints of my artwork. Try aerial acrobatics workshop Perform at in-person concerts Lunar new year Underground Thursdays Sounds@Brown Senior Week GRADUATE YAYYYYYYYYYYYYYYY!!!!!!!!!! For more info about me, check out: Art Portfolio Time Lapse Art Music Compositions My Dental Journey Music Arrangements My Asian Identity Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- Miss Chinese Pageant | Bree Zhang
Miss Chinese Pageant Overview In summer 2018, I was selected as one of the 13 Finalists for Miss Chinese Pageant among hundreds of applicants. The pageant involved three months of training, a tour in San Fransisco, a talent show in Sand Castle, NY, a jewelry show in Flushing, NY, and the final show at Mohegan Sun in Connecticut. My accomplishments in the Pageant include: Winner of the Laihing Jewelry Show 2018: I won the best jewelry presentation award, which included: 14 karat gold necklace and the chance to wear and present the most expensive jewelry in the store, a Forever Mark diamond set more than 1 million dollars. Miss Best Talent 2018: During the talent show, I made it into the Top Five Talent with guzheng and won the Group Talent Award with live acrylic painting. During the final show, I performed on the guzheng, a 21-stringed Chinese Harp, playing a self composition I wrote for my grandmother while featuring my digital art paintings on the large screen background. Miss Second Runner-up 2018: I placed 3rd place overall at the Final Show in Mohegan Sun, which included several segments: evening gown, swimsuit and Q&A, Qipao walk, and the final five Q&A. Pictures San Fransisco Tour Day 1: Napa Valley and Newton Vineyard Day 2: Palace of Fine Arts Day 3 and 4: City Hall and Golden Gate Bridge Talent Show Laihing Jewelry Show Final Show at Mohegan Sun Fashion Show Evening Gown Talent (Guzheng Performance) Qipao and Final Awards For more about Miss Chinese Pageant, you may follow them on social media! Website Facebook Instagram For more info about me, check out: About Me Time Lapse Art Artwork My Guzheng Story Music Compositions Other Performances Subscribe to my Youtube Channel for more updates!
- Artwork | Bree Zhang
Dreams STEM in Art painting my school building Brunoscapes Snapshots in... Ordinary Meets... Social Commentary Family Love Identity Search Still Life Miscellaneous Copy of Art Portfolio 2 Portfolio - Bree Zhang Click each work to see its full description. Time Lapsed Art Buy Artwork Commissions STEM in Art STEM in Art These works are inspired by my STEM passions within chemistry, biology, physiology, and genetics. They also contain important messages related to the healthcare field: medicine, behavioral health, public health, and my future profession: 🦷 dentistry 🦷 Painting my school building painting my school building I decided to paint scenes of my school building! The Va gelos Education Center (also known to me as VEC), is not just a building where I go to lecture and study: it's a combination of the four elements of nature; it's a concert hall; it's a mural; it's a reservoir for creativity--where knowledge and conversations overlap and bring about meaningful growth :) Brunoscapes Honored to announce that I am officially selling artwork via the The Brown University Bookstore ! "Brunoscapes" are renditions of memorable locations at Brown, each associated with specific memories, feelings, and emotions of my undergraduate experience! Brunoscapes Dreams Dreams These dreamscapes and imaginary lands are rendered spontaneously without any prior planning, sketching, or reference photos. Like lucid dreaming, I let go of my inhibitions and allow my imagination to fabricate the landscape around me as I revel in the unconstrained fields of my mind and the different variations of creativity it can manifest. Snapshots in... Snapshots in Time The world as I see it is composed of snapshots of meaningful places, objects, and people that have emotional significance to me, no matter if they are happy, funny, sad, or tragic. I capture these moments in memory so that I can keep them with me forever, etch them forever in the molecular gaps between the threading of my canvas or paper. Without them, I wouldn't be Bree Zhang. Ordinary Meets... Ordinary Meets Unordinary These pieces retain the structural integrity of the ordinary world but transcend the constraints of reality. Some works are simply funny humorous, some are bizarre and outlandish, some are inspirational, some may be sad or frightening. Social Commentary Social Commentary My social commentary functions as activism and investigation within the intersectionalities of race, gender, sexuality, neurodiversity. It ranges from calling us to take voting action, to raising awareness about Anti-Asian Hate, to encouraging us to stand in solidarity against COVID-19, to analyzing female idealizations and expectations in relation to objectification, clothing, body image, and sexual violence. Tributes to Love Art and Music Combination Pieces Returning Home Family Love These 4 pieces are made together with my guzheng composition dedicated to my grandmother, called "Returning Home ." Each piece shows a treasured moment with my grandmother: feeding fish above a pond in my hometown, blowing candles during my birthday, laughing together, and reuniting with her after 7 years of separation. Go to My Compositions for the song and a more detailed description of my relationship with my grandmother. A Mother's Love This series of 12 art pieces (paired with my music composition “A Mother’s Love ”) is a tribute to my mother and all the other beautiful mothers in this world who have given us irreplaceable support, wisdom, care, and love since the day we were born, from changing our diapers, to teaching us how to walk, to comforting us when we are sad, to cheering on our successes, to supporting us even when we leave home to explore the world. No matter how old I become, I will always keep my mother in my heart and remember all the sacrifices and hardships she endured to provide me opportunities to grow, learn, and love. I love you 妈妈. 🥰 Daydreams (listen on Spotify ) Identity Search Search for Identity Art and Music Combination Pieces These pieces comprise the art background to my song, Daydreams (see music video ), which details my insecurities and search for identity. "Daydreams" goes hand-in-hand with my art piece below, "The Sides of Me Your Don't See." To the girl in this song (Me Of the Past), she would’ve never imagined herself living the life featured at the end of this song, so it’s just yet another “daydream," a beautiful life.. But someday, it will come true. ❤️ The Sides of Me You Don't See This 3-D interactive work, made in conjunction with Daydreams, explores my struggle to come to terms with my Chinese identity . Click inside the first picture for the description of this piece. This piece shows a 2019/2020 snapshot of my reflection. Read about my full journey at "My Asian Identity ." Still Life Still Life Practice pieces through direct observation using graphite or charcoal Miscellaneous Miscellaneous A combination of contests, commissions, master copies, fan art, and other pieces that do not fit in any of the categories above. Follow my art instagram account at @breez_art_ for more updates! More About Me My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Infographics Advocacy infographics featured on Columbia and Harvard ASDA pages. My Asian Identity Reflections on what it means to be Asian American and my struggles with my identity Why Dentistry About me as an NHSC Scholar, TedX Speaker, Advocacy Award Recipient Dental Art & Music How I combine music therapy and art to heal and educate patients! College Reflections My five key takeaways + lessons from Brown University: the goods, bads, and funs! Music Compositions Performed in Carnegie Hall (5 times), Metropolitan Museum (2 times), McCarter Theatre (2 times) Pageantry Miss Chinese Pageant 2018 2nd Runner up, Miss Talent 2018, Laihing Jewelry Winner My Art Portfolio Sold by Brown Bookstore. Featured on Columbia Global Consortium of Climate Health
- Guzheng Performance | Bree Zhang
Solo Duet and Ensemble Other Instruments Traditional Chinese Pieces Performed by Bree Zhang Guzheng Solo Spring Comes to the Snowy Mountain - Unknown Artist 00:00 / 00:00 Spring Comes to the Snowy Mountain 雪山春晓 Composer: 格桑达吉,范上娥 Recorded on October 15th, 2017 The Peacock Flying Southeast 孔雀东南飞 Composer: 郑德渊 Re-arranger : 邱大成 Drew University Concert Hall June 3rd, 2017 Music From China Youth Orchestra Rainbow Concert Spring Comes to Lhasa 春到拉萨 Composer: 史兆元 Drew University Concert Hall May 31st, 2015 Music From China Youth Orchestra Rainbow Concert Gui Zhou Yao 贵州谣 Composer: 姚宁馨 The College of New Jersey Concert Hall November 8th, 2014 NJMTA Young Musician's Competition Winner's Recital Xiang Shan She Gu 香山射鼓 Composer: 曲云 Hong Kong, China August 13th, 2013 The 3rd International Zheng Contest 11-14 Age Group Guzheng Duet and Ensemble Duet and Ensemble The Dance of the Amei Tribe 阿美族舞曲 Composer: 台湾民谣 Rearranger: 顾冠仁 The Hindu Temple Society of Northern America in Flushing, NY February 25th, 2018 Chinese New Year Festival 春节晚会 Additional Performer: Emily Yang Hanging Red Lanterns 挂红灯 Composer: 周成龙 McCarter Theatre, Princeton, NJ February 8th, 2014 Chinese New Year Festival 春节晚会 Additional Performer(s): Grace Chen, Jennifer Zhang, Joyce Lu, Emily Yang, Angela Weng, Sabrina Ngan, Jiongnan Liu, Jacqueline Hua, Bonnie Hu. The Song of Spring 春节序曲 Composer: 李焕之 McCarter Theatre, Princeton, NJ February 8th, 2014 Chinese New Year Festival 春节晚会 Additional Performer(s): Grace Chen, Jennifer Zhang, Joyce Lu, Emily Yang, Angela Weng, Sabrina Ngan, Jiongnan Liu, Jacqueline Hua, Bonnie Hu. Guzheng with Other Instruments Other Instruments Fisherman's Song at Dusk 渔舟唱晚 Composer: 曹正,朱郁之 Huaxia Bridgewater Chinese School January 31, 2016 Chinese New Year Festival 春节晚会 Violin: Joyce Lu For more info about me, check out: About Me Time Lapse Art Art Portfolio My Guzheng Story Music Compositions Music Arrangements Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- Contact Me | Bree Zhang
Contact Me - Bree Zhang Find me through any of the social media accounts listed below, or shoot me an email directly! E- bree101zhang@gmail.com Youtube : Bree Zhang Instagram : bubba_bree and breez_art Facebook: Bree Zhang Deviant Art: bubba-bree Thanks! Message sent. Send
- Buy Artwork | Bree Zhang
Buy Artwork - Bree Zhang Time Lapsed Art Portfolio Commissions Brunoscapes are now for sale via Brown University Bookstore ! Order Your Artwork Here Please reference MY PORTFOLIO for the name of the artwork you want to order. If you want to buy multiple pieces, please fill out the form multiple times (once for each artwork)! Please note the discount option if you are a Columbia or Brown student/faculty ! First Name Last Name Email Name of Artwork Choose a Canvas Size Choose an option Delivery method Choose an option Special Requests Include Hand-Signed Signature * Yes (Additional $6) No Address (if applicable) Order Your Artwork Thanks for submitting! You will receive an email in the upcoming days with more details More About Me My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Infographics Advocacy infographics featured on Columbia and Harvard ASDA pages. My Asian Identity Reflections on what it means to be Asian American and my struggles with my identity Why Dentistry About me as an NHSC Scholar, TedX Speaker, Advocacy Award Recipient Dental Art & Music How I combine music therapy and art to heal and educate patients! College Reflections My five key takeaways + lessons from Brown University: the goods, bads, and funs! Music Compositions Performed in Carnegie Hall (5 times), Metropolitan Museum (2 times), McCarter Theatre (2 times) Pageantry Miss Chinese Pageant 2018 2nd Runner up, Miss Talent 2018, Laihing Jewelry Winner My Art Portfolio Sold by Brown Bookstore. Featured on Columbia Global Consortium of Climate Health ABOUT ME Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- Art and Music Meet Dentistry | Bree Zhang
Music & Dentistry Art & Dentistry Art and Music Meet Dentistry Bringing Music into Dentistry In 2019, I started providing music therapy to patients in the RI Hospital Cancer Center. Through my guzheng, I realized the power of music as a common language to connect us, heal us, bring out stories and memories, soothe our fears. I wanted to bring music therapy into the dental field. Dental fear (or dental anxiety) affects approximately 36% of the population, especially prevalent in trauma victims or survivors of domestic violence, and is a reason why millions of Americans avoid the dentist . Yet delaying dental care results in the progression of dental disease that requires more invasive and painful treatments, furthering the cycle of dental trauma. RI Hospital Healing Through Harmony Volunteer Many suffering severe dental fear or anxiety require nitrous oxide or general anesthesia in order to undergo a procedure. I believed music could function as a low cost alternative, so I implemented music therapy at the Dental Associates of Rhode Island , an office I had been working at as a Practice Coordinator/Dental Assistant. "Thursday Tunes" on the Guzheng Every Thursday, at the beginning and end of the hour, I played the guzheng 古筝, the 21-stringed Chinese harp, as patients entered the waiting rooms, incorporating elements of music therapy such as receptive intervention, re-creation, improvisation, and composition. Wireless Headphones, Customizable Playlists I set up an office Spotify account and wireless bluetooth noise-canceling headphones for each operating room. Rather than listening to a preset music playlist, patients had could select any songs they wanted through Spotify, or connect their own phone to the bluetooth headphones. Bringing Art Into Dentistry One day while dental assisting, I met a young girl who needed a root canal. Since she couldn’t understand English, I drew out the root canal procedure for her. I broke down the procedure into 4 simple steps, using arrows, check marks or x-marks, and happy/sad faces to convey meaning. If a picture is worth a thousand words, I believe a drawing can be worth a million. You can illustrate processes through time, distill complex pictures into simple components, combine elements while highlighting the most important parts. You can communicate across language barriers to increase health literacy and decrease dental anxiety, particularly for stigmatized procedures like root canals. It’s not always convenient to draw the full process of a root canal. When I searched online for short video animations, I discovered that these animations were all longer than 1 minute or were too hyperrealistic. Thus, I decided to create my own animation , distilled down into a simple digestible form—all under 30 seconds. This video is the first of my series of hand-drawn dental education animations, focused on being easy to visualize and understand even without sound. Art & Dentistry After making this video, I also became inspired to create short educational infographics on other dental topics (cavities, plaque, gum disease, fillings, pregnancy) for patients and their families at the Dental Associates of Rhode Island, trying to distill dental education into short bite-sized pieces of information. Below is a sneak peek, but check out my " Infographics " page to see the whole repertoire! Dental Artwork I also use artwork as a channel to discuss and highlight oral health and public health concepts. Records of Our Oral Ecosystem The tooth is a birth certificate. Similar to tree rings, striations in our enamel carry the topography of the changes and transitions.... Read More Reproductive Justice and Oral Health Access to dental care is about reproductive health and birth equity. Hormonal changes greatly increase risk of gum disease, and nearly 60-75% of pregnant people have gum disease..... Read More The Iceberg of Our Oral Health Oral health is like an iceberg. We see teeth as the visible “tip” of the iceberg, but we often don’t see the multidimensional “branches” required to.... Read More My Most Recent Hand-drawn Art and Video Animation: My Human - A Story of Oral Health Inequity A story of told from the perspective of a tooth who observes its human, Smiles, a young girl with a beautiful smile. Smiles suffers from tooth decay, which gets worsened over COVID-19 and eventually leads to infection and an abscess that takes her to the emergency room, with only one option: to extract the tooth. More About Me! Why Dentistry About me as an NHSC Scholar, TedX Speaker, Advocacy Award Recipient My Art Portfolio Sold by Brown University Bookstore and featured on Columbia's public health website My Infographics Featured on Columbia and Harvard ASDA pages, covering patient education Music Compositions Performed 5 times in Carnegie Hall, 2 times in the Metropolitan Museum, 2 times in McCarter Theatre My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Asian Identity Reflections on what it means to be Asian American and my struggles with my identity For more info about me, check out: About Me Subscribe to my Youtube Channel for more updates! Follow me on Spotify! Spotify
- Why Dentistry | Bree Zhang
Why Dentistry? I decided to make an artwork to answer the question Watch my TedXTalk for a more personal version of the story To me, dentistry is like painting an artwork or composing a guzheng 古筝 song: both require sensitivity of touch, creative visualization, and the ability to sculpt not just the intricate details but also the larger symphony of what our mouth’s blank canvas can become: the smile. 😁 Dental art is also a science. It requires a thorough understanding of how dentistry’s “paints” react, solidify, and set according to different temperatures, moisture levels, time frames and mixtures, whether it is the chemical reaction of alginate (drawn as d-mannuronic acid and l-guluronic acid ), or the blue-light stimulated 3d polymerization of composite resin in restorative fillings. That's when my organic and inorganic chemistry knowledge 🧪 merges with my love for biology🧬 , from the aromatic ring in lidocaine improving lipid solubility, to fluoride-assisted remineralization of enamel (depicted as Ca10(PO4)6(OH)2 +2F− → Ca10(PO4)6(F)2 + 2OH− ). One of my favorite “biologies” is microbiology. 🦠 The oral cavity is an entryway, living environment, and source of replication for millions of microbes (I’ve drawn a few: SARS COV-2, HIV, E. Coli, Pneumococcus, Diphtheria, Tetanus, etc ), some of which have sparked major epidemics and pandemics. This oral-systemic link is where my interest in science “flows” into the heart and lungs of my passion for public health. 🏥 I’ve seen how the mouth is often the first place to detect disease, cancers, and immune system dysfunction; how poor oral health is linked with heart disease, diabetes, COVID-19, Alzheimer's, and other synergistic diseases rooted in socioeconomic circumstances. 😷 Given that dental decay is the most common disease in the world, and that cumulative national costs 💵 for dental treatment in many countries are higher than those for cancers and heart disease, I hope to be advocating for policies that not only increase upstream prevention and integration (depicted by superior vena cava flowing up to globe ) but also prioritize resource conservation and our fragile relationship with Planet Earth. 🌎 Public health cannot be improved without improving oral health, but the “heart” 💗 (aortic artery flowing upwards in "Why Dentistry" artwork) of our health is also connected to our brain, which is where my love for psychology comes into the picture. 🧠 Our mental health influences oral health through biological channels (systemic inflammation and hormonal imbalance) and psychosocial channels (motivation, social habits, dental fear and anxiety). Meanwhile, our oral health reciprocally affects our mental health by impacting our ability to eat, talk, work, sleep, and smile: a key to confidence, identity, and social mobility. As a dentist, I hope to use tools of psychology to restructure phobias and integrate art and music therapy into dental settings--returning full circle to my favorite multi-colored “hues'' and “melodies.” 🎨🎵 The dental field is growing at such a fast rate. With a passion for teaching 📚, I hope shape the dental curriculum so that cultural competency is not just a strength but a fundamental core principle. So that mental-health informed dental care is always built from acknowledging social determinants of health. So that we can work collaboratively with all disciplines to tackle the global burden of oral disease. So when people ask me “why do you want to be a dentist?” I say that “not just a dentist but an oral health physician 🩺, an oral health advocate 💪, and an oral health educator 📖." And who knows--maybe I’ll be adding more pieces to my “why dentistry” painting in four years. About Me as an NHSC Scholar On September 8th, I received my official award letter from the National Health Corps Scholarship!! The National Health Corps Scholarship provides financial support for full-time enrollment in an eligible primary care health professions degree training program between 2 yrs and up to 4 school years, covering tuition, reasonable educational costs, and monthly stipends for living expenses. After graduation, scholars devote time practicing in a HPSA (health professional shortage area) for the years they receive the scholarship. I am very blessed for this unique opportunity. Dental disease is a neglected epidemic: more than 1/3 of low-income adults avoid smiling and face employment difficulties due to the state of their teeth. Dental pain has been reported to affect up to 30% of adults, which also impacts their ability to sleep, eat, work, and take care of their children. Right now, about 49 million Americans live in communities that have been designated dental professional shortage areas. It’s so important to address and fix the geographical shortages of dental providers, BUT we must also think about the roots of the problem: a segregated healthcare system, a treatment over prevention culture, policies that perpetuate other social disparities in education, food access, & more. Beyond just practicing in a HPSA, I hope to continue pushing for increased dental access and prevention/education on the upstream policy level. NHSC Scholarship NHSC Scholarship NHSC Scholarship NHSC Scholarship 1/6 Click to see full perspective. Infographics explaining more about NHSC Scholarhip Learn how I've tackled global oral health Learn about my work in prevention and education Learn how I've merged art and music with dentistry . Learn how I conceptualize patient-centered care For more info about me, check out: My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Art Portfolio Sold by Brown University Bookstore and featured on Columbia's Global Consortium of Climate Health Infographics Infographics that explain medical/dental concepts, tackle advocacy, and educate patients! Dental Art & Music How I combine music therapy and art to heal and educate patients! My Notes! You are free to download any of my notes, tree diagrams, and summary flow charts for medical and dental school! College Reflections My five key takeaways + lessons from Brown University: the goods, bads, and funs! Asian Identity Reflections on what it means to be Asian American and my struggles with my identity Music Compositions Performed 5 times in Carnegie Hall, 2 times in the Metropolitan Museum, 2 times in McCarter Theatre About Me! A little intro about me, my hobbies, my interests, and what inspires me! Contact Me Contact Me Send Success! Message received.
- Music Composition | Bree Zhang
Guzheng Solo Guzheng with Vocals Orchestral Compositions Compositions by Bree Zhang Spotify Guzheng Solo Growing Up This song addresses the joy, sadness, and beauty of growing up. It begins with a prelude of introspection and then transitions to the main melody filled with fun and playfulness, representing the innocence and unreserved happiness of our childhood. The melody gets faster and faster, just as we barrel through life faster and faster from crawling to walking, to running, to sprinting, but then… Suddenly, our childhood is shattered. Suspended in uncertainty, we glance around, realizing that the world as we know it isn’t the same. Moving forward, the song takes a deeper tune, one that may be filled with shades of sadness, guilt, heartbreak, anxiety, fear. Yet we still advance forward, step-by-step. We grow, finding strength in our weaknesses and fears, learning how to live with our own inner demons, creating beauty from shattered glass: that's what’s called maturation. And, sometimes, we may look back to our old childhood memories with a bittersweet yet hopeful smile. It’s never the same but we can reminisce and appreciate our old memories. Metamorphosis Just as a caterpillar transforms to a butterfly, this piece describes my metamorphosis from a fumbling young girl into a determined young woman. I used to have confidence issues and always felt like a secondary character. However, music, art, story-writing, and my interactions with my culture helped to provide stepping stones which I slowly climbed until I gathered enough “nutrients'' to crystallize and form a cocoon of confidence. In this song, my moment of “metamorphosis” begins (2:08 to 3:14) when I realize how far I’ve come. It’s like an awakening, building to a point where I break free from my chrysalis with newfound wings, flying through the world with speed, energy, and power (represented by the song’s sudden increase in tempo and excitement from 3:16 to 4:13). As I fly, I realize how vast the world is, how many infinite possibilities exist for me to explore. However, the most important part of my metamorphosis (represented by the song’s slower finish 4:38 to end) is remembering to rest my wings at the end of the day so that I have time for reflection and introspection. Thus, as I wrap up my song with a slower yet purposeful finish, I am filled with a satisfaction of how much I’ve grown. Returning Home When I was younger, my grandma came all the way from China to help raise me. Not only did she ensure I was healthy and happy growing up, she also taught me about my Chinese culture and heritage, instilling in me values of gratitude, patience, and resilience.When I was 10, however, my grandmother had to return to China due to her declining health, and she never came back to America again. I missed her very much for several years, wishing I could see her again and show her how much I’d grown since she left. And in 2017, I was given the perfect chance: I found out I was returning to China for a guzheng talent competition and that I would be able to reunite with my grandmother before the competition. I was so elated and excited that I decided to write a song dedicated to my grandmother called “Returning Home.” The first section of my song (0:00 to 2:39) symbolizes my longing for my grandma. The allegro portion (2:39-4:00), which features my technical skills, symbolizes my excitement and anticipation of meeting her after so many years of separation. I also paired artwork with this piece. The first three works in this sequence show key points of my relationship with her, whether it was feeding fish above a pond in my hometown, blowing candles during my birthday, or simply laughing together. The last work features my happy reunion with her. That day, I was able to perform the song for her in person, and the smile on her face was another moment that I wanted to capture in memory forever. Guzheng with Vocals Guzheng with Vocals Daydreams It was very difficult writing, singing, and making art for this song because it brings me back to a time filled with insecurities, fears, loneliness, and self-loathing, a time when I didn’t know who I was, when I pretended to be someone I wasn’t, floundering in search of an identity, surrounding myself with people but feeling quite lonely, chipping away at myself with sweet lies until I almost believed them. However, I’m really glad I finally finished it because now I’m able to look back and confront it. To the girl in this song (Me Of the Past), she would’ve never imagined herself living the life featured at the end of this song (artwork which I paint in saturated beautiful colors), so it’s just yet another “daydream,” a beautiful lie she repeats to herself in hopes of seeing change. But someday, it will come true, someday :) In Ten Years “In Ten Years” is about facing rejection, standing up from it, and moving forward with no regrets. I was inspired by the many college rejections I received over the course of December to early March my senior year (prior to getting into Brown, which I honestly never expected to get into given my college track record). Each result I received was a blow to my confidence, and I started to question whether I was really capable or talented or intelligent. However, I eventually knew I needed a change, and instead of feeling sorry for myself, I decided to channel my feelings into an actual song and do something productive with it. This song, “In Ten Years,” was born as a result. It was my first time composing a song that included vocals, singing while playing the guzheng, and shooting and editing the film. In the end, I was able to learn many new things, and I will continue to move forward with my head held high. Orchestral Compositions Orchestral Compositions A Mother's Love 🥰This music composition and series of 12 art pieces (titled “A Mother’s Love”) is a tribute to my mother and all the other beautiful mothers in this world who have given us irreplaceable support, wisdom, care, and love since the day we were born, from changing our diapers, to teaching us how to walk, to comforting us when we are sad, to cheering on our successes, to supporting us even when we leave home to explore the world. No matter how old I become, I will always keep my mother in my heart and remember all the sacrifices and hardships she endured to provide me opportunities to grow, learn, and love. I love you 妈妈. Dancing in Snowflakes - Bree Zhang 00:00 / 00:00 A Journey in Retrospect - Bree Zhang 00:00 / 00:00 Dancing in Snowflakes “Dancing in Snowflakes” is written for my chinese orchestra, Music From China Youth Orchestra. It describes the care, grace, and empathy we must have to interact with snow without breaking its purity—whether we are in elation and power or in stillness and quietude. Although the song does have western elements, it takes on a predominantly ethnic theme from the pentatonic scale. Furthermore, it features several individual solos, from Hulusi to Erhu to Liuqin to Guzheng, and these instruments build on each other in layers and layers, accumulating in volume and power just as snowflakes quietly and seamlessly decorate a landscape in their beautiful coldness. A main melody is integrated 5 times throughout the song, but it is rendered differently each time, sometimes appearing as a solo, other times being played by the whole entire orchestra. Regardless, the last melody (m. 60) is played by all the instruments that complement and support each other as one unit—just as snow sticks together and embraces the world in a single color of white. When I began this piece, I was also inspired by one of my favorite figure skaters, Evgenia Medvedeva, so I created an artwork that goes with it. See here for the time lapse drawing of the piece. A Journey in Retrospect “A Journey in Retrospect” was my first attempt at composition. I wrote it December 2016 for my orchestra (Music From China Youth Orchestra), and it was performed on June 3rd, 2017 at Drew University. Mixing elements of western and traditional pentatonic music, this song reflects the journey of a person’s life—and my own journey through composing. It begins with a prelude that introduces the central motif to set the mood and pace of the song, in the same manner an author would preface his story with some background. The prelude is followed by a jumpy innocent melody first played by plucked instruments—representing our shaky little steps at the beginning of a journey (m. 9). The melody is then repeated more richly and melodically by string instruments—representing out gradual maturation and development in our journeys (m. 17). Eventually, the song changes into a more powerful theme (m. 33) that is characterized by strength and willpower in the face of trial and tribulations- the melody builds in momentum until it reaches a climatic direct modulation key change (m. 44). Following the key change is a rich intersection of three different melody lines, and the song slowly falls in power until it repeats the prelude (m. 53), returning full circle, but this time, the prelude sounds different: it is deeper, more experienced, more reflective tone- just as we when we look back at the end of our journeys. For more info about me, check out: About Me Time Lapse Art Artwork My Guzheng Story Music Arrangements Other Performances Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- My Music Story | Bree Zhang
Music Bio - Bree Zhang My Guzheng Story How it all began... When I was 5 years old, I heard beautiful plucking sounds coming from a next door classroom. Discovering that the music was produced by the guzheng 古筝, I begged my mother to let me learn how to play. Unfortunately, I was too young at the time to be accepted by the teacher, Yang Yi 杨艺, so I eagerly waited for three years and finally got the chance to learn at 8 years old. L ittle did I know that 古筝 would become one of the most formative parts of my life. With any instrument, no one starts out a master. Sometimes I practiced a lot. Other times, I got frustrated and didn't practice, leading my mom to sign me up for performances, which often forced me to practice since I didn't want to embarrass myself onstage. My teacher was wonderful. High expectations yet so caring and kind. Slowly, I improved. As clumsy plucking strung together, my performances locations gradually improved from cramped local churches to concert halls. As I learned about each song's history, culture, symbols, and emotions, I learned how to express myself. My 古筝 became a safe space where I had control and agency over each note, where I could de-stress and release emotions. Local Church 2011 Young Musician's Showcase Grand Prize Showcase Carnegie Hall 2015 Music From China Youth Orchestra In 7th grade, I joined Music From China Youth Orchestra (MCFYO). My time at the orchestra was marked by a series of firsts. It was my first time playing under a conductor, Wang Guowei 王国维. My first time being exposed to so many Chinese instruments, such as the Erhu 二胡, Yangqin 扬琴, Liuqin 刘琴, Zhongruan 中阮, Dizi 笛子, and Hulusi 葫芦丝, all with their own quirks and sound qualities. ( 二胡 is like a two stringed fiddle, 扬琴 is a hammered dulcimer, 葫芦丝 is like a recorder made from a gourd). Best of all, it was my first time meeting a community who were all passionate about Chinese music and their culture. MFCYO Carnegie Hall 2014 Teaching the Guzheng 古筝 In 2014 of my freshman year in high school, I co-founded a 古筝 class at Huaxia Bridgewater Chinese School with Joyce Lu. Being a first-time teacher, I went through rough waters, but the first times always do--that's what's special about them. Teaching is like taking what you know and translating it into 20 different languages . It's difficult when your students get frustrated or don't practice ( haha now I understand my teacher's pain ), but it's so rewarding see that spark in my students' eyes when they master a skill . Eventually, I got to bring my students to perform in places like the Somerville Heritage Festival and Bridgewater Rehabilitation Center. Even though I do not teach anymore (my mother has taken over the class), I still stay in contact with my students. Each year, we have an annual New Years Potluck event where all my old students (and their parents) gather at my house to eat, celebrate, and catch up. We also hold a performance in which everyone plays a 古筝 song they have been learning so we can see each other's improvement over the years. I always tend to premiere my new compositions on this day :) Bridgewater Rehabilitation Center 2015 6th Annual Potluck Gathering 2020 How I Started Composing In 2016 of my sophomore year in high-school, I took AP Music Theory. This class, combined with my experience in Music from China Youth Orchestra, jump-started my interest in music composition. Exposed to different time signatures, chord progressions, scales, music styles, and instrument capabilities of both eastern and western music, I decided to try composing my own song for MFCYO. My first song was called "Journey " and the whole composing process was a long journey. I learned to understand the limitations of each instrument, balance and maximize the each performers' dynamic capabilities, and convert western score to Chinese numerical notation. I am thankful for my conductor (Wang Guowei) who wholeheartedly support me. "Journey," which debuted in Drew University June 3rd, 2017. The next year, I composed another orchestral song "Dancing in Snowflakes " which debuted in Drew University during my final concert on June 2nd, 2018. Both songs mix western elements with traditional Chinese elements, combining not only two different styles but also two cultures. The summer of 2017, I was also inspired to compose a 古筝 piece, "Returning Home " dedicated to my grandma. I used this song to compete in Central China Television’s National Talent Competition in Beijing and won 4th place, and I also used my piece to win Gold Prize in the Sinovision Television (Cable Channel 73) Competition: the first time since the competition started in 2010 that a non-western instrument was able to obtain Gold in the Teen’s 14-18 age group. In 2018, I decided to try combining vocals with 古筝 (which functions almost like a guitar), culminating in a project called “In Ten Years ” about college rejection (ironic, yes, I know, but it was composed before I discovered I got into Brown ). I also began to cover modern pop songs such as “I Don’t Wanna Live Forever ” with guzheng. Drew University 2017 Sinovision Television Teen Talent Competition 2017 "I Don't Wanna Live Forever" Cover 2018 College, Spotify, and More! At Brown, I composed 2 new 古筝 songs, "Metamorphosis " (2020) and "Growing Up " (2021), both of which reflect on my growth as an individual over the years. I also have been looking to integrate more western classical elements and contemporary jazz and blues elements into my music, which led me to take "Theory of Tonal Music" and "Jazz and Pop Harmony" at Brown. During the Spring semester 2020, I started an independent study with Professor Wang Lu to work on my compositions, playing around with jazz chords, altering the tonality of the instrument, exploring new 古筝 sounds such as scratching or hitting or swiping. Later that year, I wrote another song combining vocals with guzheng, "Daydreams " which reflects on my struggle with my identity and culture. This song, in conjunction with my art piece "The Sides of Me You Don't See ," were formative in my journey navigating what it means to be Asian American and Chinese American. Read my full story at My Asian Identity . Metamorphosis 2020, Spotify Daydreams 2020, Spotify Trying out Improv! During my final semester at Brown, using what I learned from Jazz and Pop Harmony and Professor Wang's independent study, I joined MEME ensemble, where I learned to let go of my anxiety of perfecting music and enjoy the process of creating music. Improv is like sketching a rough draft of an idea with a permanent marker and unapologetically owning every single mark and every empty space because these are all parts of the music-making process. Improv gave me comfort in forming ideas but never rehashing or going back because no creation is a mistake, and no mistakes are intentional or unintentional because every note is stuck in a raw, messy, unfiltered, yet beautiful in-between. Most importantly, it erases the distance between the audience and me because the audience is also part of the music-making and storytelling process—and together we have fun. At the 2022 Senior Talent Show, I was able to explore this collaborative improvisation for the last time at Brown. Together with the audience, we played 2 games: Game 1: Opposites Attract, inspired by “MEME ensemble” The audience suggested 2 random emotions (“sad” and “wondrous relief”) that I would express on the guzheng. Then two audience members volunteered to say “sad” and “wondrous relief” back and forth, controlling the time I played these emotions. Game 2: Improv Storytelling Members of the audience shouted out 3 random words, and my task was to spin together a story on the spot using these 3 words: Blueno, Poono, and guzheng. Flyer I Made for MEME Ensemble Final Concert: Ordinary Improvisation Learning to Fly More Guzheng Memories Music Accolades Performance Locations Carnegie Hall (2014, 2015, 2016, 2017, 2018) Metropolitan Museum of Art (2015, 2016) McCarter Theater (2015) Drew University (2014, 2015, 2016, 2017, 2018) Rutgers Nicholas Center (2014, 2018) Westminster Choir College (2016, 2017) Awards and Honors Brown Commencement Baccalaureate Soloist Performer (2022) Gold Prize, Sinovision Television Teen's Talent Competition (2017) Self-composition "Journey" and "Dancing in Snowflakes" performed by MFCYO Orchestra at Drew University (2017-2018) 4th Place, Central China TV Talent Competition (2017) Grand Prize, National League of Performing Arts Young Musician's Showcase Competition (2015) 1st Place, Princeton International Chinese Music Competition Award (2014) 1st Place, New Jersey Music Teacher's Association Young Musician's Competition (2014-2016) What is Guzheng? Guzheng is an ancient Chinese instrument with more than 2,500 years of history. It has twenty-one strings and movable bridges that enable the musician to change scales. The melody is played on the right side of the bridge; the left side is normally reserved for vibratos, slides, and other ornamentations to the music. Playing requires finger picks that are wrapped with tape around the tips of the fingers. Some techniques include tremolo, arpeggios, glissandos, vibratos, and harmonics. The music is read in simplified numerical notation. For more info about me, check out: About Me Time Lapse Art Art Portfolio Music Compositions Music Arrangements Other Performances Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- Music Arrangements | Bree Zhang
Arrangements by Bree Zhang Pop Songs I Don't Wanna Live Forever Original Artist(s): Taylor Swift and Zayn Malik Rearranged into guzheng version Recorded on May 20th, 2018 This guzheng cover is my way of merging eastern and western music together by intersecting two worlds and techniques in a single piece. Traditional Pieces My Home Country 我的祖国 Original Composer: 刘炽 Rearranged by to fit a violin background music track. Huaxia Bridgewater Chinese School February 11th, 2018 Chinese New Year Festival 春节晚会 Dancer: Adrianna Liu The Dance of the Yao Tribe 瑶族舞曲 Original Composer: 刘铁山,茅 Rearranged into guzheng duet The Ellora Banquet Hall, Edison, NJ May 6th, 2018 ICEPN Television Mother's Day Concert Additional Performer: my mother, Hua Zhu For more info about me, check out: About Me Time Lapse Art Art Portfolio My Guzheng Story Music Compositions Other Performances Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify
- Time-lapse Art | Bree Zhang
Time Lapse Tutorials Art Videos by Bree Zhang Time Lapse Digital Drawings Doggies at the Dental Office! Featuring Lulu and Olive, the comfort dogs at my dental office, the Dental Associates of Rhode Island, who make our office a welcoming home and help alleviate patient fear and anxiety! <3 Olive and Tallulah were rescued from Little Rhody Rescue, a nonprofit dog rescue organization striving to find safe homes for neglected and underprivileged dogs. Olive and Tallulah have been with the DARI family since 2018, comforting patients in the office during dental appointments. They Say Humans Taste Like Beef This artwork is a social commentary that imagines an alternate parallel universe where human and animal relations are flipped, where humans are raised like cattle and their body parts eaten for dinner under romantic starlight. The timelapse can be accessed at the very end of the video after the cow conversation finishes. India Point Park Whenever I walk down to India Point Park in Providence, RI, I am mesmerized by the quiet beauty held within the stillness of water, especially during the winter when snowy white seems to blend into the sky. It brings me back to an old dream that inspired my first oil painting in 2016, where I was sitting along the edge of a dock, staring out at an expanse of a frozen lake and a red forest laden in white snow. 5 years later in 2021, I am reflecting on that dream: both the feeling of loneliness that comes from being in your own thoughts and the feeling of calm contentment as I watch the birds that I am not alone right now. The red within me is all around me--if I only take the time to look. I'll Still be Painting I was inspired to make this piece after re-watching Howl’s Moving Castle. This artwork is an oath to myself to always be an artist, whether I’m 19 years old or 91 years old. After all, there’s something beautiful and powerful about art for all ages, not only functioning physiologically to improve neurologic mechanisms such as sensory-motor integration, abstraction, and eye-hand coordination, but also guiding identity formation, allowing us to express our inner thoughts, emotions, feelings and values, from facing fears and insecurities, to capturing moments of love and happiness, to exploring ourselves and the world around us. Even when I grow old and lose my physical capabilities, I hope to retain a youthful mind and a spirit of an artist, just as Sophie did in Howl’s Moving Castle :) Imagined City In this artwork, I crafted this city and its inhabitants without references, drawing random buildings and structures as I saw fit. I let the flow of my imagination guide my pen in a direction I had no idea where I'd end up, in the same way as the girl who lets her imagination take her away to a faraway place she yearns for. This piece is actually made in conjunction with a book I am currently working on, “The Nameless Novel’s Secret.” Thus, the artwork features elements and symbols of this novel, which will make sense as the plot unfolds and unravels. Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Dancing in Snowflakes Inspired by Evgenia Medvedeva, I made this digital artwork, which is paired to the music I composed for my MFCYO orchestra. This video features a speedpaint time lapse of my entire process from a blank canvas to the finished product. For a more in-depth description and full score of the music, see here . Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Vincent Zhou Drawing This artwork is dedicated to Vincent Zhou, whom I feel a close connection to as an ABC and someone born in the year 2000, the year of the dragon. Overall, I'm inspired by his athleticism and intellect, and I wanted to convey it here in the power, strength, and resilience of the dragon, which represents his zodiac and mine. Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Tutorials The Power of Words A time lapse of my art process paired with a voiceover. For the full description of this artwork, see here . Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Music Background: "Always With Me" by Joe Hisaishi. https://youtu.be/LWzvzDCLFN4 Tutorials For more info about me, check out: About Me Art Portfoio Music Compositions My Guzheng Story Music Arrangements Other Performances Follow my art instagram account at breez_art_ and deviant art account at bubba-bree for more updates!